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Millie Bull

Curating and critiquing the arts

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Creative collaborations

Curation
Kate Matthews’ Berlin Doesn’t Love You

Production Design
ShakeSoc’s Much Ado About Nothing

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Who wants to join my Christian Thompson fan club?
Discovered this parcel of miniature letters in the ANU Print Media archives this week. They are untitled, undated and unsigned. A lot of prints nearby were from the 70s. If anyone knows the story behind them (or can think of any leads) please let me know. I’m curious to know more...
My knees miss the April sun 🌞 📷: @theofficialanastassia
Playing with daguerreotypes at the National Library 🌟 Man in a Maori clock from 1850
Ducks in a row, chakras in a line: come at me semester 2 #bigcostarenergy
Peak-a-boo politicians 👓| ‘Australian Archive’ by Chin-Jie Melodie Liu in ‘Long Way Around’ at aMBUSH gallery (Check out the show and read the essay by @harrietticehurst)

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My latest thoughts

  • David Walsh has an ego, but if the art is this good, I don’t care
  • Kate Matthews’ Berlin Doesn’t Love You
  • Production Design: Much Ado About Nothing
  • The Woman in the Mirror
  • Wes Anderson the Curator: Champion of the Quirky and the Overlooked
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